Cast · TYO-2026-Q3-003 · tokyo / naka-meguro-aobadai

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TYO 2026 Q3 003

Age — · Reference-Tiefe: — · Status: submitted · Scouted Fri May 29 2026 02:00:00 GMT+0200 (Central European Summer Time)

Setcard TYO-2026-Q3-003 — Tomohiro "Tomo" Nishida, Naka-Meguro-Aobadai independent-print-shop-owner for the Brutus-Tokyo-Living Spring-26 Naka-Meguro creative-cluster editorial plus SHIFT-Tokyo print-design cross

Bilder

closeup direct gaze Aobadai-Print-shop-shutter Naka-Meguro Friday-evening amber-streetlight Tomohiro Nishida

Three-quarter at the Aobadai-Print shop-shutter Naka-Meguro Friday evening 19:40 JST, shoulder-leaning against the half-open metal-roll-track frame, the small steel-pencil-stub clipped at the right shirt-pocket-edge (Uncle Yoshiharu since 22 March 2011), half-drunk Onibus-Coffee cup at hip-height, warm amber streetlight plus backlit shop-interior amber spill, 4:3

Catalog Brief

Catalog reader, found him at his own Aobadai-Print-shop opposite my Naka-Meguro-atelier-block Friday evening 19:25 JST opening the shutter late after a Riso-print-batch-overtime, 36, Naka-Meguro-Heim-Anker creative-cluster Japanese-Tokyo-Setagaya-line, 1.78 m, asymmetric quirky-personal male face geometry plus warm-mid skin plus dark-brown short-side-parted hair plus small steel-pencil-stub clip on right shirt-pocket from late uncle Yoshiharu Nishida Naka-Meguro-print-shop-founder died 2011-03-22. Wore washed-indigo Lee-Storm-Rider jacket plus white-cotton T plus deep-blue Edwin-503 plus weathered Red-Wing-Iron-Ranger-tan-boots. Independent Riso-letterpress-printer running Aobadai-Print since 2011 (took over from uncle Yoshiharu). Brief-Match: Brutus-Tokyo-Living Spring-26 Naka-Meguro creative-cluster editorial-feature plus SHIFT-Tokyo May-June-issue print-design-editorial cross (parallel to Kei Brogan-Sato TYO-Q3-001 co-art-direction). Available Naka-Meguro-Aobadai-on-site, day-rate plus print-shop-as-shoot-location.

Story

Atelier-return after 21 days away, Friday 19:30 JST, I unlocked the Naka-Meguro-atelier-block-side-door and stood at the threshold for a moment. The first thing I heard from across the Aobadai-side-street was the Aobadai-Print-shop-shutter going up, the metal-roll-noise I have not heard since 2026-05-08. Tomo was opening late after a Riso-print-batch-overtime.

He saw me from across the street, raised a hand, called over: "Welcome back, you were gone three weeks?" I crossed over and stood at the shop-shutter-edge for ten minutes. He was finishing a batch of two-color Riso-letterpress posters for a Beams-T capsule (the spring-edition print-typography-essay). He showed me the small steel-pencil-stub clipped on his right shirt-pocket, told me again the story of his late uncle Yoshiharu Nishida — Naka-Meguro-print-shop-founder, died 22 March 2011 of post-quake-stress aged 68, founded the shop in 1968 at Aobadai-1-23, Tomo took over from him 2011.

Tomo has been my literal neighbor since I moved to the atelier-block in 2024. He knows my work-rhythm by ear (the printer-press, the kettle-whistle, the foot-step-pattern when I'm pacing). We have an unspoken-agreement to take in each other's parcels when one of us is away. He took in three for me during the Sydney-trip.

The reason this is a setcard and not just a CAST-note is that the Brutus-Tokyo-Living Spring-26 Naka-Meguro creative-cluster editorial-feature brief (Cathy-Sasaki-Brutus-editor messaged me 2026-05-15) asked for six Naka-Meguro-creative-neighborhood-portraits, and Tomo is the unmissable anchor for that feature. Plus the SHIFT-Tokyo print-design editorial cross runs in parallel (Kei Brogan-Sato TYO-Q3-001 co-art-directs it, Tomo's Riso-letterpress-shop is one of the four print-shops featured).

Biografie

Brief-Match-Begründung

Geometrie/Look: Asymmetric quirky-personal male face geometry, warm-mid skin (Japanese-Tokyo-Setagaya-line), dark-brown short-side-parted hair, dark-brown deep-set eyes, slightly-asymmetric nose (broken once at high-school-soccer 2006), full quiet half-smile mouth, three-day stubble (Friday-evening-overtime). Quirky-personal Japanese-Tokyo-creative-craftsman-print-shop-owner read, NOT Tokyo-Aoyama-creative-pretty-coded — the asymmetric nose plus the steel-pencil-stub-clip plus the work-stained printer-hands push him firmly into work-creative-craftsman bracket.

Industry-Pipeline-Stand: Independent Riso-letterpress-printer for 15 years means he is INSIDE the Tokyo print-design-circuit as both craftsman AND neighborhood-landmark. Brutus-Tokyo-Living Spring-26 Naka-Meguro creative-cluster editorial-feature brief asks specifically for craftsman-anchor-portraits in the neighborhood — Tomo is the unmissable anchor for Aobadai-side-street. Plus SHIFT-Tokyo print-design editorial cross gives him a second editorial-frame parallel.

Brief-Match-Logik: Not standard agency-pick (freelance, no agency, no model-track). Not new-face-discovery (already Brutus-Tokyo-Living 2024-10-known, IDEA-2023-04-known). The card is craftsman-anchor-cross-cast specifically: Naka-Meguro-Aobadai-Print-shop-owner-portrait for the editorial that runs the neighborhood-cluster-feature he is the neighborhood-anchor of. Pencil-stub-clip-pin (Datum 2011-03-22 uncle Yoshiharu death plus 2011-04-15 shop-takeover-day, Name Yoshiharu Nishida, Ort Aobadai-1-23 print-shop-founded-1968, Material small-steel-pencil-stub clip-on-right-shirt-pocket, Frequenz täglich seit shop-takeover-day 2011) is the biografisch-pinned-Standard anchor.

Brand-Route

Suggested Next Step

Cross-Bracket

Prompts

Bild 1 — closeup-face.jpg (model: nano-banana-pro 2K, aspect 3:4)

Closeup tight head-and-shoulders portrait of a 36-year-old Japanese Tokyo-Setagaya-Naka-Meguro-creative-craftsman male independent Riso-letterpress-print-shop owner at the Aobadai-Print-shop-shutter Naka-Meguro-Aobadai-side-street Friday evening, warm amber streetlight glow from above plus subtle backlit shop-interior amber spill from the half-open shutter behind him. Asymmetric quirky-personal male face geometry, warm-mid Japanese skin tone (Tokyo-Setagaya-line), dark-brown deep-set eyes, slightly-asymmetric nose (very subtly broken-then-healed), full quiet half-smile mouth, dark-brown short-side-parted hair, three-day Friday-evening-overtime stubble. Direct calm gaze straight to camera, slight three-quarter face turn left, no full smile, end-of-work-day craftsman-quiet read. Wearing a washed-indigo Lee-Storm-Rider jacket over a plain white cotton T-shirt, small steel-pencil-stub clipped visible on the right shirt-pocket-edge just below the frame-bottom, no other jewelry visible above the shoulders, no hat. Hochkant 3:4 aspect ratio, tight head-shoulders crop, soft amber-streetlight blur background suggesting Aobadai-side-street-shop-shutter. Sharp focus on the eyes, natural skin texture, work-stained-printer-hands implied off-frame, documentary editorial portrait quality, no makeup retouching, no beauty-smoothing, real Japanese-Tokyo-Setagaya-Naka-Meguro-creative-craftsman-independent-Riso-letterpress-printer-15-year-shop-owner read. 2K resolution, JPG quality.